Prelude
I have
compared 45 different papers for markers. I have not included papers that are
not specified for markers by the company that produce them. It is not uncommon
that an art store will market a paper as a marker-paper but if you look at the
brands homepage they are not label as a marker paper. But with that said, a lot
of other kinds of paper can work very well with markers, for example watercolor
paper (even though they will “eat” the ink in the marker a lot faster than any
other paper). I also tried some Japanese sumi-e paper with good and interesting
result. I might write more about that in
the future. For now, this is a marker paper review.
The theory and method for the somewhat thicker
marker paper (110-120 g/m2)
I started
with some small samples to se color saturation and value, bleeding and
feathering.
I am a firm
believer in working the paper as you normally would, to be able to fully
understand the potential the paper has, so I decided to do a drawing on every
paper.
I especially
wanted to test the blending and layering abilities. With blending I mean that I
work wheat in wheat, and with layering I let the ink dry before I put another
layer on top.
Before I
started my drawing I wrote down the name of the brand on the paper. I then
covered the name so I wouldn't se which paper I was working on. I wanted it to
be a blind test.
I have
earlier tried to do the exact same drawing but found that this only works if
you compare two or three of them. When you compare many items (as I have done
earlier; I compared 30 markers, and now I compare a lot of papers) the chances
are huge that the first couples of drawings are a less good than the following
(because you are learning) and the last ones are pretty bad because it get so
monotonous that it is very difficult to do a good job. At least that is true
for me. I therefore chose to draw every drawing different but in the same
manner and use the same subject (in this case, one girl stood model for all
drawings). I also chose to use the same colors for the face and hair on every
drawing.
Stylefile Marker pad 120 g/m2
Stylefile marker pad |
Stylefile
offers many items for graffiti. They have sketchbooks and pads in a variety of
sizes. This particular one comes in an A4 size pad. The sketchbooks has a
different paper.
This is a
very smooth paper. The back and front seems to be the same, you can draw on
either side.
Some color
doesn't look so dark as they can be. If you try to blend colors the surface
becomes speckled. Some colors also look grainy. But if you work more with
layers (but not to many of them) it will do better.
Markers
will bleed on to the next page quite much, something to be aware about. The
downside of bleeding is however easy to overcome by putting a paper you don't
value underneath.
If you are
a Copic user, this very smooth paper is in my opinion the best of all paper in
this category (110-120 gsm).
Conclusion: This is an ok paper for most brands, but especially
good for Copic.
Sketch done on Stylefile paper 120 gsm |
Color samples on Stylefile Marker paper |
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