Prelude
I have
compared 45 different papers for markers. I have not included any papers that
are not specified for markers by the company that produce them. It is not
uncommon that an art store will market a paper as a marker-paper but if you
look at the brands homepage they are not label as a marker paper. But with that
said, a lot of other kinds of paper can work very well with markers, for
example watercolor paper (even though they will “eat” the ink in the marker a
lot faster than any other paper). I also tried some Japanese sumi-e paper with
good and interesting result. I might
write more about that in the future. For now, this is a marker paper review.
The theory and method for thinner marker paper
(70-80 g/m2)
I started
with some small samples to se color saturation and value, bleeding and
feathering.
I am a firm
believer in working the paper as you normally would, to be able to fully
understand the potential the paper has, so I decided to do a drawing on every
paper.
I especially
wanted to test the blending and layering abilities. With blending I mean that I
work wheat in wheat, and with layering I let the ink dry before I put another
layer on top.
Before I
started my drawing I wrote down the name of the brand on the paper. I then
covered the name so I wouldn't se which paper I was working on. I wanted it to
be a blind test.
I have
earlier tried to do the exact same drawing but found that this only works if
you compare two or three of them. When you compare many items (as I have done
earlier; I compared 29 markers, and now I compare a lot of papers) the chances
are huge that the first couples of drawings are a less good than the following
(because you are learning) and the last ones are pretty bad because it get so
monotonous that it is very difficult to do a good job. At least that is true
for me. I therefore chose to draw every drawing different but in the same
manner and use the same subject (in this case, one girl stood model for all
drawings). I also chose to use the same colors for the face and hair on every
drawing.
Bienfang young artists |
Bienfang young artists marker pad 75
g/m2
An acid
free paper from Canada, especially designed for young artists. It is availably
in 23 cm x 31 cm (9” x 12”) pad.
The paper
is smooth and white. The backside feels and reacts the same to ink as the front
side.
This paper
is one of the worst ones. It bleeds through to the next page a lot, which is of
course not a huge problem. However, it did something no other paper has done –
the ink became dappled. Just look at the face. It is very uneven. The colors
look dull and a bit darker compared to other papers. The colors also bleed into
each other.
Conclusion: This is a very poor paper. Is it good enough
for a kid? In my opinion, if you get some decent quality early in life you
might find drawing much more fun.
Sketch done on Bienfang paper |
Color samples on Bienfang paper |
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