Prelude
I have
compared 45 different papers for markers. I have not included any papers that
are not specified for markers by the company that produce them. It is not
uncommon that an art store will market a paper as a marker-paper but if you
look at the brands homepage they are not label as a marker paper. But with that
said, a lot of other kinds of paper can work very well with markers, for
example watercolor paper (even though they will “eat” the ink in the marker a
lot faster than any other paper). I also tried some Japanese sumi-e paper with
good and interesting result. I might
write more about that in the future. For now, this is a marker paper review.
The theory and method for thinner marker paper
(70-80 g/m2)
I started
with some small samples to se color saturation and value, bleeding and
feathering.
I am a firm
believer in working the paper as you normally would, to be able to fully
understand the potential the paper has, so I decided to do a drawing on every
paper.
I especially
wanted to test the blending and layering abilities. With blending I mean that I
work wheat in wheat, and with layering I let the ink dry before I put another
layer on top.
Before I
started my drawing I wrote down the name of the brand on the paper. I then
covered the name so I wouldn't se which paper I was working on. I wanted it to
be a blind test.
Canson XL marker paper |
I have
earlier tried to do the exact same drawing but found that this only works if
you compare two or three of them. When you compare many items (as I have done
earlier; I compared 29 markers, and now I compare a lot of papers) the chances
are huge that the first couples of drawings are a less good than the following
(because you are learning) and the last ones are pretty bad because it get so
monotonous that it is very difficult to do a good job. At least that is true
for me. I therefore chose to draw every drawing different but in the same
manner and use the same subject (in this case, one girl stood model for all
drawings). I also chose to use the same colors for the face and hair on every drawing.
This French
paper is available in A4, A3 and A2 pads.
Canson marker paper |
The paper
is smooth and white. The front side and the backside of the paper differ; you
cannot use the backside to draw on.
Color
saturation is as good as any paper but it becomes a bit grainy and it will
feather out quite much. The feathering bothers me a lot, even though it is not
so bad if you color every inch of the paper.
Canson also
produce the Canson Marker pro layout 70
g/m2.
I cannot se
or feel any difference between these two products from Canson.
This acid
free paper are available in three pads sizes; 9x12 in (which is 22x30 cm),
11x14 in (which is 27,94x35, 56 cm), 14x17 in or 19x 24.
Conclusion: I think this is not the best paper, but it is
ok to use as a paper to try ideas or color swatches on. I will however not buy
it again.
Canson marker paper drawing |
Canson pro layout paper drawing |
Canson pro layout |
Canson XL |
Hello,
SvaraRaderaI'm really a begginer.
I bought this paper. But I do I know the right from wrong side? Is there any test? In one side the paper absorbs more. In the other less. The right side is the side the paper abosrbs more?
Hi! Yes the right side absorbs more, and the wrong side resist the ink, the ink will gather in a pool. The right side is also a bit less smooth compare with the wrong side and the edges feels slightly bend down towards the wrong side. Best is to mark the right side (which is always up in the pad) before remove it from the pad. Hope that helps :-)
SvaraRadera