Thicker
paper 100-250 gsm Thinner paper 45-90 gsm
The paper use more ink
|
The paper use less ink
|
Front and back are the same on
most thicker paper
|
Front and back are seldom the
same; you can not use the back
|
Large value change, especially on
dark and dull colors
|
Value change but not as much (dark
colors looks darker on thin paper)
|
The time it takes for the ink to
dry is normally quicker
|
The ink stays wheat longer
(allowing you to blend wet in wet)
|
Easier to layer more (there is no
problem to layer). I have never
experience the ink staying on the surface and creating puddle.
|
Will not take as many layers (to
many layers will create problems). If you put down a lot of ink you may end
up with a puddle.
|
Feathering and bleeding is less
common on thicker paper
|
Feathering and bleeding occur more
|
Bleeds normally through to the
next page
|
Are more often bleed proof; that
is, it doesn´t bleed through to the next page
|
Colors can look milky on thicker
paper
|
Very rare that colors look milky
on thinner paper
|
I also found that if you work on a thin paper you might want to work fast, because your ink can create lines that are difficult to cover up when the ink has dried. On thicker paper however, it isn´t as sharp lines so you can take your time, and if you want, stop the drawing and continue later on.
All papers that I have reviewed in a glance:
Conclusions
of group one: Thin layout paper (45-65 gsm)
Best
Letraset
Layout paper
Borden
& Riley #125 marker paper
AMI
Design-Block
Ok
Deleter Neopiko
Poor
Bienfang
Graphic 360
Copic manga
illustration paper
Strathmore
Marker paper
Conclusions
of group two: Thin layout paper (70-85 gsm)
Best
Stylefile
marker paper
Hahnemühle
fine art manga paper
Letraset
Bleedproof Marker pad
Clairefontaine
paper
Schoellershammer
Marker paper
London
Graphic Centre Marker Paper
Daler
Rowney Graphic Series Marker Paper
Shinhan
Touch Marker Pad
Ok
Cass Art
London Marker Paper
Copic My
bleedproof Marker pad
Canson
Marker paper
Magic
Marker Bleedproof
Poor
Mont Marte
Bleedproff Layout paper
Bienfang
Young Artist marker paper
Graphics
direct Marker paper
Frisk
Graphic Art materials bleedproof Marker paper
Goldline
Marker pad
Monochrome
Crafts marker paper
Conclusions
of group three: thick paper (110-120 gsm)
Best
Hahnemühle
manga illustration paper
Ok
Montana
Marker paper
On the Run
Marker pad
Stylefile
Marker pad
Molotow
marker pad
Poor
Conclusions
of group four: Thick paper (170-250 gsm)
Best
Strathmore
500 series Bristol Plate Surface
Canson
Illustration
Neenah
paper
Bee Paper
Aquabee Manga Artist pad
Ok
X-press it
blending card
Holtz
Perfect Coloring Paper
Borden
& Riley #234 Paris Bleedproof Paper
Maxon
Poor
Malzeit
Manga Skizzenblock (AMI)
Goldline
Bristol Board
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