Malzeit Manga Skizzenblock

Prelude

I have compared 45 different papers for markers. I have not included papers that are not specified for markers by the company that produce them. It is not uncommon that an art store will market a paper as a marker-paper but if you look at the brands homepage they are not label as a marker paper. But with that said, a lot of other kinds of paper can work very well with markers, for example watercolor paper (even though they will “eat” the ink in the marker a lot faster than any other paper). I also tried some Japanese sumi-e paper with good and interesting result.  I might write more about that in the future. For now, this is a marker paper review.

The theory and method for thicker marker paper

I started with some small samples to se color saturation and value, bleeding and feathering. On thicker paper it is common to se colors becoming milky as well.

I am a firm believer in working the paper as you normally would, to be able to fully understand the potential the paper has, so I decided to do a drawing on every paper.

I especially wanted to test the blending and layering abilities. With blending I mean that I work wheat in wheat, and with layering I let the ink dry before I put another layer on top.

Before I started my drawing I wrote down the name of the brand on the paper. I then covered the name so I wouldn't se which paper I was working on. I wanted it to be a blind test.

I have earlier tried to do the exact same drawing but found that this only works if you compare two or three of them. When you compare many items (as I have done earlier; I compared 30 markers, and now I compare a lot of papers) the chances are huge that the first couples of drawings are a less good than the following (because you are learning) and the last ones are pretty bad because it get so monotonous that it is very difficult to do a good job. At least that is true for me. I therefore chose to draw every drawing different but in the same manner and use the same subject (in this case, one girl stood model for all drawings). I also chose to use the same colors for the face and hair on every drawing.

Manga skizzenblock

Malzeit Manga skizzenblock from AMI                                                            170 g/m²

Are availably in A4 or A3 pads.

On all of the thicker paper I have tried, markers behave differently than on the thinner marker paper. Even if all markers change in value on all kinds of paper, the problem is more obvious on thicker paper. The value changes are more than just one degree. Vibrant colors usually stay true, but darker colors can loose a lot.  The surface on this paper does not have any kind of grain but it isn’t super smooth either, rather a bit dull. The paper will therefore absorb the colors a little more, which makes the colors look a little bit darker than on other marker papers. Some colors can become a bit grainy and if you layer your ink it can get a milky look. The ink is feathering quite bad. The paper also resists the marker nib on the paper. 

The paper bleeds through to the next page

Conclusion: I do not like this paper at all.

 

Sketch done on Magna Skizzenblock 

Color samples on Manga Skizzenblock